暂无剧情简介

Suspecting her boyfriend of cheating on her again, this time she won't let it lie.

[We Flash] aespa Fashion Survival 　　패션계 거물들이 벌이는 세기의 대결 🏆

《Quick build 奇迹之屋》节目邀请了《最强棒球》中的传奇选手李宅根、宋承俊、郑根宇和郑容儆，前往2013年遭遇超级台风“海燕”带来严重灾害的菲律宾第二大城市——宿务。节目旨在为当地孩子们提供更健康的成长环境，并帮助恢复这片地区的生气，计划为当地居民建设一个居民中心和儿童图书馆。 　　在首期节目中，明星嘉宾们到达宿务后，立即前往SILONG地区，见到了他们的队长建筑师赵汉武。在赵建筑师的引领下，嘉宾们了解了模块化建筑的基本原理，并计划在三天之内完成建筑的框架结构，十天内完成建筑建设。除了这些挑战，节目组还邀请了演员金宰元和2023年韩国小姐亚军郑奎莉组成美食队，为明星嘉宾们提供饮食服务，确保后勤保障。在节目中，曾在棒球场上奋力拼搏的运动员们换上工地制服，拿起电钻、铲子、锤子，化身“最强工人”，全身心投入建筑施工。面对体力、技术、天气等多重考验，他们需要在有限时间内完成房屋建设，全力以赴创造奇迹。

A group of friends embarks on a journey through landscapes to meet a poet imprisoned for his work. Their adventure blurs the lines between reality and fantasy, challenging their views on freedom and creativity. Along the way, they discover the impact of art and the power of friendship, learning that the journey itself is as meaningful as the destination.

An exercise in adjusting the moving image to an interpretation of time as it is perceived within the Kiowa philosophy: a circular dialogue between the mythic, the historical, and personal reflection. 　　THE EARLY SUN, RED AS A HUNTER'S MOON follows this temporal tradition in an interpolation of Kiowa lore in excerpts from N. Scott Momaday's The Way to Rainy Mountain, a reunion in Portugal between the filmmaker and their friend after 20 years, and a historical attempt to decode a cryptic letter from 1890 with “hieroglyphic script” that arrived at Pennsylvania’s Carlisle Indian Industrial School sent from a reservation in the Oklahoma Territory to a Kiowa student named Belo Cozad. Shot on expired 8mm film, the film presents a collision of fragments of time and Kiowa memory.

Mary Berry explores the world of quick cooking. Inspired by the her travels, she brings some quick recipes that are flavourful and save time.

暂无剧情简介

暂无剧情简介

Existing between the domains of architectural, technological and spiritual mediums, ‘spaces as traces’ features found footage, Teo’s body of archival material concerns with Singapore’s architecture and Taoist religious rituals, as well as three-dimensional rendered animation of deities in an imagined science fiction of Chinese mythology. 　　The fictional realm of Singapore’s government housing, mediates the entangled relationship between artificial intelligence and the Taoist Book of Changes, or I Ching. Here, the hexagram divination symbols of the I Ching engage in a dialogue with the architectural elements found in the building. The film toggles through fiction and archival documentation, interweaving timelines, narratives, and spaces.